sound
selected installations, performances and recordings
10.09 – 02.10. 2011
13.00 –17.00
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Biomimetics, Insects |
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Biomimetics, Rain |
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Biomimetics 2010, video available
Sound installation driven by insects, wind and rain. Consisted of huge 100m2 self-made stereo contact microphone (100 piezo transducers mounted on foil), strechted over the meadow and plugged directly into PA located in the barn.
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Earlids 1 |
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Earlids 1, 2010
weather controlled, 8 channel city sound processing automaton
Located in the old town of Kraków, Poland, the installation captures winter city sounds of the nearby street, reconstructs them on fly and pipes into always changing composition, altered by sunlight and outdoor temperature data.
Druga odsłona cyklu Earlids, którego poszczególne części realizowane są według zbliżonej metody: samoewoluująca, wielokanałowa kompozycja/instalacja umieszczona w wyciemnionym pomieszczeniu, do którego transmitowane są odgłosy środowiska zewnętrznego.
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houseworks, scythe |
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A 12 min performance (or maybe just a piece?) for amplified scythe, wirelessly transmitted to evolving synthesizer patch. Initially planned as a part of collaborative restoration of the abandoned house's garden, beautifully located on top of the lone hill, facing west over tobacco fields.
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Kulczynski_Anneliese_Michel |
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A massive quadrophonic audio-environment installation (4k watts) in the former restaurant hall from ca. 1905, in suburban impoverished district of highly industrialized area of southern Poland, presented during Something Must Break exhibition, curated by Sebastian Cichocki (Museum of Modern Art in Warsaw).
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Pawel_Kulczynski_Glossolalia |
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Glossolalia, sometimes referred to as “speaking in tongues,” is an unusual mental state associated with specific religious traditions. The individual appears to be speaking in an incomprehensible language over which he or she claims to have no control.